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Censure :
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Le Retour !
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Découvrez tous les 2 mois le magazine d’art contemporain Artension, le grand catalogue des ressources de l’art vivant. Avec Artension associez information, émotion et réflexion pour préserver votre liberté d’aimer l’art.
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Au Sommaire !
- Art et handicap: tandem de choc?- Juliano Caldeira: les antipodes du Nouveau Monde- Ni Tanjung, l’éblouie de Bali
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Tête défigurée – vers 1998 -acrylique sur toile
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Llyn Foulkes
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Llyn Foulkes has been called the Zelig of contemporary art. Over the past five decades he has been consistently inconsistent, confounding critics and galleries with dramatic changes of direction whenever it seemed he was about to be overtaken by popular acclaim. He’s also been consistently ahead of the curve. He showed a year before Andy Warhol at the legendary Ferus Gallery in the mid-60′s and was heralded as an early master of Pop with his famous ‘Cow’ (a nicely rendered creature in blank space), anticipating Warhol’s bovine prints by three years. Among the artists with whom he emerged were John Baldessari, Wallace Berman, Robert Irwin and Ed Ruscha. Although he would probably scoff at the label, many admirers regard his musical performances as performance art.
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Abonnement
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Classé dans:animation, art visuel, Arts visuels, exposition, installation, magazine d'art contemporain Artension, performances, photographie, pictural, publication, réflexion, reliure, revue, revues culturelles., Texte, vernissage Tagged: Artension, Juliano Caldeira, Le Vadrouilleur urbain (Arts visuels), Llyn Foulkes, magazine d'art contemporain Artension, Ni Tanjung, Tête défigurée
